Monday, December 31, 2012
The great book giveaway (but not really)
I was doing my annual bookshelf cleanup this morning when I realized that the books I've sorted out for "donation" were still there, sitting prettily in the second lowest shelf. And because I am in no mood to look for the list I typed up months ago (which I suspect I forgot to post), I took a page from Ron Lim's blog and took pictures of the concerned books instead.
The books aren't really for sale, but if you want to "donate" any amount in exchange of the merchandise (or just pay for my transportation during the meetup), or swap them with your old books, I'll be more than willing to accept them (well, depending on the book/s, actually).
E-mail me at kittenkyd@gmail.com if you're interested in any of the titles so we can arrange the meetup.
Friday, October 19, 2012
Partial "Read" List (as of October 19, 2012)
After drafting my partial book list for 2012, I realize that I've read A LOT of YA books this year. And that I didn't finish reading anything last July. Perhaps I overdid it last June and decided to let my brain cells recuperate? I cannot remember.
Anyway.
January:
A Lion Among Men (Gregory Maguire) **
100 Cupboards (N.D. Wilson) ***
February:
Maniac Magee (Jerry Spinelli) ***
March:
Dr. Jekyll and Mr. Hyde (R.L. Stevenson) **
April:
Cirque du Freak: Vampire Mountain (Darren Shan) *
Cirque du Freak: Trials of Death (Darren Shan) **
May:
Freak the Mighty (Rodman Philbrick) **
Kit's Wilderness (David Almond) *
Fish-Hair Woman (Merlinda Bobis) **
June:
The Curious Incident of the Dog in the Night-time (Mark Haddon) *
Holes (Louis Sachar) - second reading ***
Dandelion Fire (N.D. Wilson) ***
Odd is On Our Side (Dean Koontz) **
Diary of a Wimpy Kid (Jeff Kinney) *
Diary of a Wimpy Kid: Rodrick Rules (Jeff Kinney) **
Salingkit (Cyan Abad-Jugo) ***
July:
OMGWTFBBQ. I didn't read anything?!
August:
Bell Prater's Boy (Ruth White) **
September:
The Name of the Wind (Patrick Rothfuss) ***
October:
Joey Pigza Loses Control (Jack Gantos) *
The Chestnut King (N.D. Wilson) **
So that's 14 YA novels, 5 "regular" novels (because calling them "adult novels" sounds wrong), and 1 graphic novel, so far. I wonder how many more I can add to the list before the year ends?
Legends:
* Hmm, okay, I guess :-/
** Liked it :-)
*** Loved it! Definitely a great read! :-D
Wednesday, September 26, 2012
Experimental Reads: Harry Potter and the Philosopher's Stone, The Hunger Games, A Wrinkle in Time, and (gasp!) Twilight
Monday, September 17, 2012
Books, books, books!
Last night, I found myself standing in front of my bookshelf for a whole two minutes, the pile of newly acquired books from the Manila International Book Fair in my arms, only to realize that I have barely any space left to put my newest babies.
I also realized I need to reorganize my shelf again . . . and soon. I have a feeling I'll discover books I've purchased a long time ago, hidden behind newer books, long forgotten. See those thick books in the third level and the not-so-thick books in the second? Yep, there are stacks of other books behind them. And I haven't even taken a picture of my other bookshelf yet (that one's way too disorganized for public viewing).
/coughs
Anyway, I think I overdid it with the children's books this year. Usually I buy three to six titles, most of them new releases from Adarna and OMF, but this year, I bought picture books from other publishers as well--Tahanan, Lampara, and, gasp!, yes, Vibal.
(And before anyone accuses me of being a traitor for not patronizing Anvil's books, let me just say that I do buy children's books from Anvil, but I usually buy them using my employee's discount because, err, well, it's bigger than the usual discount we offer during MIBF.)
And now, a show of titles. Cue in drum roll, please.
Friday, February 4, 2011
meet Dexter Morgan, polite wolf in sheep’s clothing
The back cover gives us a brief synopsis of the book:
He’s handsome and charming, but something in his past has made him abide by a different set of rules. He’s a serial killer whose one golden rule makes him immensely likeable: he only kills bad people.
His job as a blood splatter expert for the Miami police department puts him in the perfect position to identify his victims. But when a series of brutal murders bearing a striking similarity to his own style start turning up, Dexter is caught between being flattered and being frightened -- of himself or some other fiend.
Praises for the book includes:
"Demonology has a dastardly new darling." – The New York Times
"With chills like these, you can skip the air-conditioning." – Time
"Entertaining… Dexter is a fascinating character, though he’s not the kind of guy you’d like to invite to dinner." – Chicago Sun-Times
Personally, I’d invite him to dinner. I have nothing to worry about, I think. I mean, I’m not perfect and I sometimes border between meanness and insanity (wait, aren’t they from the same side of the fence?), but I highly doubt Dexter would care two cents about me. One: I don’t kill little kids. And as fans of the first book might notice (and I surely hope they did), Dexter is very fond of children (which is ironic, since he’s supposed to be void of human emotions). But he is, and most of his targets (Father Donovan, Jamie Jaworski) are kid-nappers and killers. So as long as I keep my kid-bullying to a minimum (not that I bully kids, I swear I don’t!), I think I’ll be safe. Two: Aside from the usual whacks and punches (and kicks and bites too, sometimes) I give my close friends, I dislike hurting people. No one has ever filed a complaint about me hitting them so badly they had to be sent to a hospital for a CT scan, and I haven’t pushed anyone, not even those people who irritate me, down the stairs. (Well, I threw a marble at a kid when I was in grade school, but I blame him and his constant stalking for that.) So I really doubt if Dexter will be interested in me. I’d be as boring to him as a sack of rotting potatoes… or something like that.
Now.
I guess one of the things I really like about our hero is his ability to engage in witty banter with other characters, even when the situation does not call for it. During breakfast with his foster sister Deborah, this conversation took place:
"How was your date last night?"
"A lot of fun," I said. "You should try it sometime."
"Feh," said Deborah.
"You can’t spend all your nights standing on Tamiami Train in your underwear, Deb. You need a life."
"I need a transfer," she snarled at me. "To Homicide Bureau. Then we’ll see about a life."
"I understand," I said. "It would certainly sound better for the kids to say Mommie’s in homicide."
"Dexter, for Christ’s sake," she said.
"It’s a natural thought, Deborah. Nephews and nieces. More little Morgans. Why not?"
She blew out a long breath. "I thought Mom was dead," she said.
"I’m channeling her," I said. "Through the cherry Danish."
"Well, change the channel. What do you know about cell crystalization?"
I blinked. "Wow," I said. "You just blew away all the competition in the Subject Changing Tournament." (pp.83-84, 2004 paperback edition)
Note that the date they were talking about didn’t exactly end well. But I’ll let you guys read the book to find out why.
Dexter also likes entertaining his readers by way of narration coated with dark/dry humor. During one of his killing escapades (with Jamie Jaworski, this time):
"Let’s talk," we said in the Dark Passenger’s gentle, cold voice.
He didn’t know if he was allowed to speak, and the duct tape would have made it difficult in any case, so he stayed silent.
"Let’s talk about runaways," we said, ripping the duct tape from his mouth.
"Yaaaooww--Whu--whataya mean?" he said. But he was not very convincing.
"I think you know what I mean," we told him.
"Nuh-no," he said.
"Yuh-yes," we said.
Probably one word too clever. My timing was off, the whole evening was off. But he got brave. He looked up at me in my shiny face. "What are you, a cop or something?" he asked.
"No," we said, and sliced off his left ear. (pp.172-173)
In normal circumstances, it is not supposed to be funny. I mean, slicing off another person’s ear was nothing to laugh about. But by that point in the book, readers have already established the fact that Dexter is an unfeeling monster whose only delight is slicing up monsters worse than him. I guess this reason shouldn’t justify chuckling at his jokes or attempts at witty exclamations, but somehow it does.
My personal favorite line from the book is found in page 284. Dexter was having a long soliloquy about the possibility (or impossibility) of sleep murder and his involvement in it. And as such:
"Weren’t we all crazy in our sleep? What was sleep, after all, but the process by which we dumped our insanity into a dark subconscious pit and came out on the other side ready to eat cereal instead of the neighbor’s children?"
Lovely, lovely. Good writing, is it not?
Darkly Dreaming Dexter is not your typical good-cop-bad-cop story, and it introduces a wide array of characters that you will either love or hate with utmost fervor (and I’m not talking about the children killers here). There’s even an interesting twist in the end as bonus. For people who are interested in crime/thriller/suspense/slasher fiction, I would like to recommend this book. For those who still believes in fairy tales and all that, I suggest you grab a copy of Snow White (Disney version) instead. Unless you want to be converted. Dexter just might show you the way.
Oh, and did I mention that this book inspired the hit Showtime series Dexter in TV? No? Well, there you go. Another reason to try it out then.
Sunday, November 21, 2010
bibliophiles, unite! (lit out loud: a literary festival)
Sunday, November 14, 2010
'tis the season to be generous...so gimme some books!
please remove #4 from the list ... for obvious (bday) reasons :))
Friday, October 8, 2010
sense overload
Monday, September 20, 2010
post-book fair fever
Friday, September 10, 2010
patronizing "Filipino" books
Music: The More You Ruv Someone from the Avenue Q soundtrack
This is unedited version of the article I submitted to Alerto Filipino, which came out last August. I am still miffed at the idea of having my complete name published for everyone to see, but I guess I should be thankful that my article actually saw print.
I'm choosing to look at the brighter side of things :)
(Is it working?)
---
Patronizing "Filipino" Books
I have a confession to make: I’ve been partial to books by foreign authors for the better portion of my life.
I think this stems from the fact that I haven’t really been exposed much to Filipino authors and their works during my childhood, and what little exposure I have in high school—Francisco Baltazar’s Florante at Laura, Amado V. Hernandez’s Ibong Mandaragit and Luha ng Buwaya, Lualhati Bautista’s Dekada ’70 and Bata, Bata, Pa’no Ka Ginawa—were made uninteresting by boring group reports and long quarter exams. I do remember enjoying Rizal’s Noli Me Tangere, but that’s about as far as my love for Filipino writing went. Come college I was introduced to the likes of Nick Joaquin, NVM Gonzalez, and Carlos Bulosan, but by then my hands were full with thick volumes of Shakespeare, Homer and Aristotle, that I had little time to indulge in side-readings of Butch Dalisay and Ninotchka Rosca.
Up until I graduated from college, I never made much of an effort to familiarize myself with works by Filipino writers, maybe except for children’s books, which caught my interest since I took an elective about writing for children back in third year college. I’d splurge on books every year at the Manila International Book Fair, a yearly event for book lovers in the Philippines, but I’d always buy fiction books by popular and not-so-popular American and English authors, very rarely by Filipino ones. My reasoning was the epitome of colonial mentality: surely works of American authors are better than their Filipino counterparts.
How wrong I was.
It is only later, when I started working with a publishing company, that I started to really appreciate the beauty of books written by Filipino authors. It is only when I was forced to read them (because I was required to write press releases and feature essays) that I understood why Severino Reyes and Sarge Lacuesta deserve the same amount of love that I give to C.S. Lewis and Dean Koontz. And it’s not simply because of the sudden need to be patriotic that I began to pay attention to books by the “locals,” if that’s one way of calling them. It simply occurred to me that Filipinos have what it takes to write well, sometimes even better than their foreign counterparts.
Take Smaller and Smaller Circles by F.H. Batacan as an example. More often than not, book lovers are familiar with the crime novels of Thomas Harris of the Hannibal fame. But in a craftily written 155-page book, Batacan took the commonly-used serial killer plot and turned it into a thrilling story about a Filipino priest caught in the middle of a series of brutal killings of teenage boys in the slums of Quezon City. Suddenly, the story hits closer to home. The places become familiar, the faces recognizable. The Filipino reading community is presented with the idea that serial killers could exist in the Philippines, that it is not merely a phenomenon that happens in episodes of the popular TV show CSI. Batacan won several prestigious awards for her work, and she mostly deserved to do so.
Books by Filipino writers are engaging not only because they can measure up against New York bestsellers, but also because the Filipino audience can relate to them better. Renowned historian Ambeth Ocampo, for one, has released volumes of entertaining but factual pieces about our beloved heroes—Andres Bonifacio, Emilio Aguinaldo, Antonio Luna—compilation of essays that we will never see in our high school textbooks. He has demythisized National Hero Jose Rizal, and presented funny and interesting trivia about historical events and places in our country. What makes his books so interesting is the flavor he adds to his essays—that distinct Filipino-ness that distinguishes them from other works written about the same subject.
The list of authors is far from being a short one. Names like Danton Remoto and RJ Ledesma may sound familiar to the non-reading community, but not as authors of gender-bender literature and dating essays, respectively, but because of their semi-celebrity status. The more popular Bob Ong and Jessica Zafra have large followings, and thus are less prone to anonymity. Others, such as Vince Simbulan and Yvette Tan, are excellent writers, but are only beginning to make waves for themselves in the literati community. The list goes on—aspiring writers who believe that they can make a difference, who aspire to make a name for themselves or share something they think is worth sharing, not recognized simply because the Philippines is not so much of a book-reading nation, more so a Filipino-books-reading one.
As penitence for my former “snobbishness,” I took it upon myself to invest more in books by Filipino writers. As such, I now buy works ranging from National Artists for Literature F. Sionil Jose and Bienvenido Santos, to the more contemporary ones like Benjamin Pimentel, Katrina Tuvera, and Dean Alfar. It is my hope that in time, I will be able to fill my already brimming-with-books shelf with as much volumes by Filipino authors as books written by foreign ones.













